ATSIC S06E29 - What It Is

I’ve started a mailing list recently, so if you want a reminder when a new episode of #ATSIC drops on Mixcloud, sign up at the bottom of the page or hit me up on IG with your email. I’ll make sure you’re in the loop.

Below this write-up, you’ll find the track list, complete with artists and their hometowns. You can listen here and follow along, or if you’re using the Mixcloud app, hit the “…” to check out the track list while you listen. There’s also a video below from the stream where I slapped this mix together. I’m having fun week to week.


Pressed for time to type again this week, I actually uploaded this episode off the work wifi after bringing the laptop in for a shift so that I could export the mix and get it online for Thursday. Today there’s new music for me to listen through, so I’m going to do that and let this mix speak for itself - you know what it is - 100 percent new release rap from across the country, as usual!

There’s another Chadio exclusive on this one, this time from his upcoming Handsolo remix project “Chadiohead 2” - Thomas, head of the legendary Handsolo imprint sent over “Sail Racists to the Moon” (I feel like he really knows me) - a Chadio track featuring bars from Hed 3 aka DJ Moves. I didn’t even know the Halifax legend rapped, but I’m told he was part of a group/project called 5 Headed Monster - apparently, on that project he picked up the mic and took the moniker Hed 3, then ran with it for a solo project and some feature work like this track. Big fan.

There’s new new from the Sayzee & Lupara album Word on the Street is God Wants You Dead. that he told me about last time he was on FiF; more new music from Lotus James’ new one Wordplay King; a track from Timbuktu’s new THUNDERDOME project with T.O. Huxtable featuring his Back Burner homies More Or Les & Wordburglar; a certified bop from Haviah Mighty; some meditative vibes from Tough Dumplin & Shark; a worker man anthem from Spenny; and a closing song this week in the shape of an ode to hating school from Maky Lavender, which I thought was fitting as students get back to the grind.

Enjoy, and let me know what you think in the comments on Mixcloud.


This week there was a “Making of ATSIC” video from Twitch - it’s posted above if you’re bored. I’m normally on Twitch all the time either working on ATSIC, listening to the new releases each week to make picks, or working on my own music.

Fly in Formation is back to weekly episodes! I’ve already talked to Chadio & The Gumshoe Strut, and Wordburglar in the past weeks since returning from my annual summer break. You can also watch every interview I’ve done up until now on Youtube. Leave a comment, hit like over there, show some love and run up the playlist on a muted tab - it’ll help the algorithm show my content to more people, which will get more Canadian music in more ears.

Tune in every Tuesday for interviews with artists across the country starting back up in September as I continue to endeavor to learn more about local scenes and artist’s creative processes, talking to artists we play regularly on ATSIC. Come through, hit subscribe on Twitch, skip the ads, and hang out and listen to Hip Hop.

I buy every track I play on ATSIC unless it’s sent to me directly. Streaming barely pays, so it’s essential to support indie artists by buying their music, tickets, or merch to keep them creating. Listening to #ATSIC on Mixcloud is free for you, and makes sure that each song you hear pays the artist at least SOMETHING. Spotify pays 0.006 CAD per stream, and only if the song hits 1000 plays in 3 months. Assuming a song gets 1000 spins, that means it takes around 125 Spotify plays to earn an artist the same .76 cents they earn from my 1.29 purchase on iTunes.

Shows like After the Smoke is Clear also need support. If you appreciate discovering new music without the algorithms, or if you appreciate my efforts to get indie artists music in more ears, consider donating via PayPal to help me buy the tracks and keep the show going. Every dollar helps indie artists and ATSIC alike.

If you can’t donate, that’s all good — people who can afford it are paying, and you get to enjoy a free show while I earn a living. Do me a favour though, and help spread the word to other people who love Hip Hop! Shoutout to everyone who is already supporting financially, by sharing the show, or by coming through in comments and chat to help build community.

Stay up.

Previous
Previous

ATSIC Radar 638

Next
Next

Fly In Formation - Lotus James